So, there I am, casually standing at the bar in my Armani jacket, taking a long drag off my Dunhill, and admiring the complex malt profile of my wee dram of Laphroaig when she walked in. With wind-tusselled auburn-red hair, lip-gloss, painted nails, and a provocative trail of Rive Gauche, she strode towards my end of the bar, her high-heels coinciding gracefully, or so it seemed, with the band, as they deftly moved through their rendition of "Blue in Green". She walked past me, brushing ever-so-slightly against my jacket, and moved in to a spot next to me.
Without asking, she grabbed my Imco off the bar and quickly lit her cigarette. She dropped the lighter next to my scotch, exhaled loudly, and exclaimed, "They do Miles Davis pretty well." I took a slow sip of my drink, pausing briefly after I swallowed, and looked down but in her direction, careful not to look directly at her red cashmere sweater, or the contents therein.
"Not bad. Drummer's a bit sloppy, but not bad."
This wasn't the first time she'd been in this place. The bartender had already placed a glass of what looked like pinot noir in front of her. Williams Selyem, I figured. Probably a '93. She looked like a '93. Out of a possible 100.
She took a deep, long drag from her cigarette, stubbed it out in the ashtray I was using, and turned fully towards me.
"You planning on staying through this band's whole set?"
I turned to face her. My, how I do enjoy red cashmere sweaters.
"As a matter of fact, I am," I replied, carefully, so as not to hyperventilate.
She stared at me briefly, then at the band, and then back at me. Crossing her arms. she said, "There's something more interesting to look at on that stage?"
I turned away from her, drained the remaining Laphroaig, and lit another Dunhill. "Do you see the microphone in front of the piano player?"
I exhaled slowly and then motioned to the bartender, pointing to my empty glass. "I bought it from him. And when he's done singing tonight, I'm going to take it home."
She looked towards the stage, the light from the bar bouncing seductively off of her lip-gloss . "Let me get this straight. You're being given the opportunity to legally violate the most voluptuous woman in the room, and, instead, you're going to opt to spend the remainder of the night listening to some pathetic Miles Davis cover band...so that you can take home...a microphone?
I slammed my glass down on the bar. "A microphone? No, hon, that's not a microphone. That's a Telefunken Ela M 270 Stereo Tube Microphone, one of the most well-crafted and most highly-sought-after microphones in the world! That microphone is a Lamborghini! It's Beluga caviar! It's a freaking Steinway! It has dual 1-inch, gold-sputtered, 6-micron CK12 capsules placed one on top of the other, offering three polar patterns per capsule: cardioid, omni and figure-8. That thing you call a "microphone" has a GE JAN 6072a tube and two Haufe T14/1 output transformers. Two! And you know what, hon? It's mine! MINE! I've waited my whole life for this microphone and as soon as he's done playing tonight I'm going to run up on that stage and...
...and there's my wife waking me up at exactly 4:37 this morning by whisper-screaming, "Was that an earthquake?" And I was, like, "What?" And she says, "You didn't feel that?" I stared at her momentarily, throwing aside my CPAP mask. "An earthquake?" She continued to look at me, dumbfounded. "Yes, I swear to God that was an earthquake. I can't believe you didn't feel that!" And as she was getting out of bed, she stopped. "Oh, let me guess....red cashmere sweater again, right?! Geez."
No, actually, it was a Telefunken Ela M 270 Stereo Tube Microphone again. And I still haven't been able to touch even one of those. Damn earthquakes.
* Why not grab your favorite beverage, cop a squat, and groove to some DEMOS at www.mattmultimedia.com